Description
- Between the Silence [6:53]
- Little Samurai [3:12]
- Intermediate [6:40]
- A Sequent Gallery Part 2 [4:38]
- Freedom of Movement [3:44]
- Watercourse [4:01]
- Our Darkness [2:40]
- Recurrent [6:20]
- The Phonecall [3:11]
- Clockwork [4:16]
- Nightwalk [5:48]
- Loopback [4:51]
- Lost in Noman`s Land [7:49]
Melodic, modern rhythmic OVERSTOCK PRICE REDUCTION
Bradford Warner / SoundDesign –
Those who live, at least in part, to appreciate music, love to see an artist deepen explorations with a new work.
The flow of moods through Erbe‘s latest studio album Intermediate meshes loneliness, self reflection, and hope into a soundscape of modern life.
From the well thought out graphic design of the packaging to the closing minute of the final track, Lost in No Man’s Land
Matt Howarth –
This 64 minute CD from 1998 features some highly engaging contemporary electronics by Erbe.Lively synthesizers wind along pleasant paths accompanied by relaxed E-perc and buzzing effects. Erbe achieves a fanciful and entertaining sound with a versatile sonic palette combined with a clever sense of composition. His harmonic excursions are lush without being dense or hyper. This music excels at bestowing character on a futurist template.
Cyclic sequencing is decently enhanced by an ample presence of interesting keyboard riffs. A distinct sense of humanity lives in this music as Erbe conveys subtle whimsy that softens the emotional content without defusing the passion. In some pieces, synthesized strings add a pastoral flair, while other tracks exhibit a deeply classical mood. Overall, this serious music is tickled with personality, flavoring its cerebral roots with sprightly sensibilities.
While these melodies are soothing, they possess a degree of enjoyable vitality: invigorating and mesmerizing. Enticing diversions flourish among the music, as riffs swarm around their core themes, embellishing the tunes with gorgeous aspects. The result is a thoroughly captivating dose of contemporary electronic music, blending old school influences with a modern approach and gentle style.
A single brief track with vocals displays a predominant dance factor that is a charming deviation from the otherwise introspective instrumental music.
2002. Matt Howarth