I’m an estranged. I’m an Alien! There is nothing truer than this etiquette that Wladyslaw Komendarek likes to stick to his skin. The symbolic icon of the underground music, the music without borders, which makes shiver the Polish cultural scene since nearly 30 years aligns albums which have the gift to stupefy and also to seduce each time. Because it’s crazy, it is daring and, especially, it’s very different. The polygamist of sounds and the genres likes to destabilize his public by offering a music which is renewed each time in his excesses of curiosity or, still, his sovereign desire of artistic independence. First solo album to appear on the prestigious Polish label of EM, I’m an Alien plunges into this universe of instability of the genres where the complexity of the progressive music, Komendarek was a keyboard player for the band Exodus in the 70’s, goes alongside with the EM of the Berlin School style. Composed between the 80’s and 90’s, except for Prince of Darkness”
Sylvain Lupari / gutsofdarkness.com & synthsequences.blogspot.ca –
I’m an estranged. I’m an Alien! There is nothing truer than this etiquette that Wladyslaw Komendarek likes to stick to his skin. The symbolic icon of the underground music, the music without borders, which makes shiver the Polish cultural scene since nearly 30 years aligns albums which have the gift to stupefy and also to seduce each time. Because it’s crazy, it is daring and, especially, it’s very different. The polygamist of sounds and the genres likes to destabilize his public by offering a music which is renewed each time in his excesses of curiosity or, still, his sovereign desire of artistic independence. First solo album to appear on the prestigious Polish label of EM, I’m an Alien plunges into this universe of instability of the genres where the complexity of the progressive music, Komendarek was a keyboard player for the band Exodus in the 70’s, goes alongside with the EM of the Berlin School style. Composed between the 80’s and 90’s, except for Prince of Darkness”